Fabio Pezzetti Tonion, Bergman. In memoriam. Towards a Chamber Cinema. The Tension between Realism and Abstraction in Ingmar Bergmans Cinema
PERFORMANCES
Egil Törnqvist, Proxemics on Page and Stage: ONeills Long Days Journey into Night – and Bergmans
ESSAYS
Annelis Kuhlmann, Family Fathers Lost in Theatre Paradox. The Danish Reception of Diderots Theatre Paradox
Bent Holm, Enlightened Nordic Knights. Text, Body and Space in Jens Baggesen and F. L. Ae. Kunzens Opera Holger Dansk, 1789
Giuliano DAmico, Between Sentimentalism and Realism: Materials on the Early Italian Reception of Bjørnstjerne Bjørnsons A Bankruptcy
Sara Culeddu, Barabbas by Pär Lagerkvist: from the Novel to the Play
Alessandro Bassini, The Unacceptable Truth: August Strindberg and Selma Lagerlöf in Per Olov Enquists Tribadernas natt and Bildmakarna
IBSENIANA
Behzad Ghaderi Sohi, Masoud Ghorbaninejad, Peer Gynt and the Cult of Mithras
Franco Perrelli, “In the Highest Regard”: Ibsen and the Masters of the Antiibsenian Theatre
Giovanna Zanlonghi, The Cristal and the Flame. Robert Wilsons Interpretation of the Lady from the Sea
Sandra Colella, Ibsen, Bergsøe and Tarantism. Some Considerations about A Dolls House and Noras Tarantella
MATERIALS
Carola Scanavino, With the Sword of the Word: Kaj Munk Portrayed by Arense Lund
Stefano Bajma Griga, Strindberg Dwells in the Greenwich Village. Strindberg as ONeills Background
BOOKS
Giuliano DAmico, Egil Törnqvist and Birgitta Steene, Strindberg on Drama and Theatre
Sandra Colella, Acta Ibseniana V, The Living Ibsen. Proceedings – The 11th International Ibsen Conference, 21-27 August 2006
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